#Storywriting description well full
Make your predicament so hopeless that it forces your lead to take action, to use every new muscle and technique gained from facing a book full of obstacles to become heroic and prove that things only appeared beyond repair. Everything your character does to try to get out of that trouble makes it only worse.Īvoid the temptation to make life easy for your protagonist.Įvery complication must be logical (not the result of coincidence), and things must grow progressively worse, until….Their trouble will magnetize a reader invested in the character. They should be realistically flawed, but likable.
One caveat: whatever the dilemma, it will mean little to readers if they don’t first find reasons to care about your character. Just remember, this trouble must bear stakes high enough to carry the entire novel. The terrible trouble depends on your genre, but in short, it’s the worst possible dilemma you can think of for your main character. Plunge your main character into terrible trouble as soon as possible.Give it the time it needs to be wholly satisfying and feel right. Everything he learns through all the complications that arise from his trying to fix the terrible trouble you plunged him into should, in the end, give him what he needs to rise to the occasion and win the day.ĭon’t rush your ending. Keep your lead character center stage to the very end. Make life so difficult, it seems impossible to escape. Plunge your character into terrible trouble. Life is great when nothing goes wrong, but it’s boring to read about. If your story is falling flat, it’s likely it lacks conflict. This is the engine of fiction - and believe it or not, it drives nonfiction too. They believe their actions are justified. After all, villains don’t consider themselves villains. Who can relate to perfection? Even Indiana Jones has a snake phobia.īy the same token, your villain should be bad simply because he’s the bad guy. He or she should have human flaws readers can relate to.Įven superheroes shouldn’t be perfect. Your main character must be a realistic, relatable person. You can be in the head of only one character per scene, and preferably per chapter. Whichever you choose, readers should experience only what your Point-of-View character experiences. Third Person (he/her, she/his) - most common.Second Person ( you, yours) (not recommended).Through whom will readers experience your story? You need a perspective character to serve as your camera and recorder. Layer description in with the action and dialogue. Too many beginning writers - and even some veterans - start their stories with a description of their settings. This is where your story takes place - but should also include time, as well as how things look, smell, taste, feel, and sound. Your theme should be subtly weaved through your narrative. Ask yourself: What message do I want readers to take away from my story? What do I want to teach them about life? If your plot is what happens, your theme is why it happens. You’ll find lots of ideas in mega-bestseller Dean Koontz’s Classic Story Structure below. What happens in your story either keeps your readers turning the pages or has them setting your book aside. All narrative writing shares common elements. Want to get a handle on narrative writing so you can tell that story that’s burning inside you? Read on… What is Narrative Writing?Īny piece of writing that tells a story - fiction or nonfiction. What keeps readers turning pages, moviegoers glued to their seats, and Netflix watchers up all night? Narrative-a well-told story.
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